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New Scales

New sound recording scales went into effect on February 1, 2008. The rate PDF files have been posted on the site; they include:

  • Demo
  • Limited Pressing
  • Jingle
  • Low Budget
  • Master
 
 

 
 

Performance Rights Legislation

A Message from Hal Ponder
Director of Govt. Relations
AFM National Office

Ever since sound recordings were made part of copyright law in 1972, AFM has been trying to get a royalty for performers when music is played on over-the-air AM/FM radio. With the introduction of the Performance Rights Act yesterday, our time has finally come to obtain a performance right in sound recordings. This will not be an easy fight. The broadcasters are very powerful. That's why I urge you to send the attached letter to your representatives in Congress so that they will know that a musician who is their constituent will be affected by this legislation. Please feel free to modify and personalize the letter. To learn more about the performance rights campaign, go to www.musicfirstcoalition.org . Thank you very much for your help.

Best regards,

Hal Ponder
Director of Government Relations
American Federation of Musicians

Click here to see a sample letter

 
 

 
 

We Won One!

Delta Airlines has put new policies in place for musical instruments. You can go to the Delta site, but here is what they say:

(From Delta Airlines website)

We know that your musical instrument is important to you and depending on the size, we accept musical instruments of epuipment as checked baggage, carry-on baggage, or cabin-seat baggage. Please help us to keep your instrument safe by bringing it in a hard-shell case.

CHECKED BAGGAGE

You can check your musical instuments and equipment as baggage if the outside linear dimensions (length + width + height) do not exceed 120 inches (305cm) and provided the weight, including the case, does not exceed 100 pounds (45kgs).

Standard rules and fees for Excess Baggage will apply.

CARRY-ON LUGGAGE

Guitars and other smaller musical instrments, such as violins, will be accepted as your free carry-on baggage on Delta operated flights (You must still check
commuter flights and they are sometimes not operated by Delta). These items must easily fit in the overhead compartment or approved stowage location in the cabin, on a space available basis at the time of boarding. If adequate space is not available, the item must be checked.

CABIN-SEAT BAGGAGE

You may purchase a full fare ticket for an item that you feel is too fragile to be handled as checked baggage. You may stow the baggage in any passenger seat with a bulkhead or divider in front of the compartment.

This is a good resolution to this problem. There is power in numbers! However, the fight is not completely over. The Federation will continue to lobby all airlines to allow carry-on musical intruments.


 
 



 
 

Read The Nashville Musician
April-June 2008

 
 

 
 

 
 

 
 

AFM News

A recent pro-musician decision of the Copyright Royalty Board has sparked a lot of adverse press. Even worse, webcasters and broadcasters have instigated a "grass-roots" campaign urging music fans to complain to Congress about the decision. The purpose of this e-mail is to make sure that musicians are informed about the facts - and to ask you to send your own pro-musician message to your representatives in Washington!

The Background
The Copyright Act requires webcasters and broadcasters to pay royalties when they stream sound recordings on the internet. By law, 50% of the royalties for streaming go to performers. SoundExchange collects the royalties and pays 45% of them directly to individual featured performers. SoundExchange pays 5% (the share set by statute) to the AFM and AFTRA Fund for distribution to session musicians and vocalists. The remaining 50% goes to the sound recording copyright owner - which is usually a record label but in some cases is also the performer.

The Decision
The judges heard 48 days of testimony and reviewed thousands of pages of evidence about the webcasting business and about the businesses of performers and record labels. AFM Vice President Harold Bradley and member Cathy Fink testified about the creative work musicians do in the recording process, and about how important this new income stream is to musicians. President Tom Lee testified about the ways SoundExchange works for musicians. And then the judges carefully considered all they had heard - and got it right. They wrote a careful, 115-page decision that acknowledged the value of musicians' creative work and the importance of fairly compensating us when businesses use our product.

The Webcaster Backlash
Although the webcasters and broadcasters presented a complex and detailed case to the judges - and although the hearing process is one that they asked Congress to create - some don't like the result and are seeking a Congressional override. This makes no sense. What is worse is that large (and wealthy) webcasters like AOL and Yahoo are hiding behind a few small webcasters who complain that as "small businesses," they can-t afford to pay the royalties. Webcasters made similar complaints the last time rates were set in 2002 - and since then, webcaster revenues overall have jumped from $50 million to $500 million per year.

Performers Need to Be Paid for Use of Our Work
Most musicians need to patch together lots of income streams in order survive - including royalties for the use of our recordings. Please let Congress know how important this money is to musicians! Urge your representatives to resist the pressure to override the rates set by the CRB.

Taking Action
A sample letter to your Representatives and Senators is attached. Feel free to personalize the letter.

Click here for further information

 
 

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